guides on hand for visitors to learn about the films and filmmakers, Zuckerman suggests visitors wait until after they've watched "The Future Yesterday" to learn about the works' origins. "I like people to look at art without knowing what they're looking at first," she said. "I would love it if people would look at the work first and then read about it. "A feature length film, "Wadjda," by Saudi Arabian director Haifaa Al Mansour, will screen Sunday evening in conjunction with "The Future Yesterday. "This week's .
dim. Some works hang without lights on them, while some bare wall spaces are lit with spotlights. The piano works are nearly all colorless, fashioned in whites, blacks and grays. The drab, sad spirit of the exhibition is accentuated by Relph's art film screening in a small room in the gallery's center, and its overwhelming bursts of color.
The video, shown using old projectors, juxtaposes three different films on top of one another: one about the history of the Scottish tartan, one about the artist Ellsworth Kelly and another about Japanese fashion designer Rei Kawakubo. "It was about having an abundance of information," Relph explained, "where some things make sense and some things get lost. "The disparate subjects and disorienting presentation make viewing it, at times, an unsettling experience, drawn together by a title card bearing the phrase, "If you can turn off the mind and look at things Air Max 2017 Black only with your eyes, ultimately everything becomes abstract. "Also opening this week is "The Future Yesterday," a collection of film and video pieces by ten artists from six Air Max 2017 Womens Grey
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the artist said with a smirk during a walk through of the show Tuesday night. The gallery in which Relph's "Lusty Ghost" series hangs has taken on an appropriately ghostly tenor for the show. The lights are Nike Air Max 2017 White
countries, with narratives set in the Middle East. Totaling just under two hours of films, it includes Moroccan flea markets, an Egyptian power plant, and a Dubai aquarium among its subjects and settings.
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